Toutes peintures ā l'huile d'Jules Elie Delaunay
ID Image Painting(From A to Z)    Details 
10905  
Jules Elie Delaunay, Diana
  		 Diana   Salon of 1872. 4' 11 3/4" x 3' 1" ( 147 x 94 cm ).
10939  
Jules Elie Delaunay, Mme. Georges Bizet ( Genevieve Halevy, Later Mme. Emile Straus )
  		 Mme. Georges Bizet ( Genevieve Halevy, Later Mme. Emile Straus )   Salon of 1878. 3' 5" x 2' 5 1/2" ( 104 x 75 cm ). Bequest of Mrs. Emile Straus, 1927.
10934  
Jules Elie Delaunay, The Artist Mother
  		 The Artist Mother   1868. Salon of 1869. 3' 4 1/2" x 2' 8" ( 103 x 81 cm ).
10916  
Jules Elie Delaunay, The Plague in Rome
  		 The Plague in Rome   Salon of 1869. 4' 3 1/2" x 5' 9 1/4" ( 131 x 176 cm ).
Jules Elie Delaunay
Nantes 1828 - Paris 1891. French Neoclassical Painter. Studied under Hippolyte Flandrin. French Neoclassical Painter. Studied under Hippolyte Flandrin. French painter. He entered the Ecole des Beaux-Arts in Paris on 7 April 1848, where he was a pupil of Joachim Sotta (1810-77), Hippolyte Flandrin and Louis Lamothe (1822-69). He became a disciple of Flandrin, and, though making his debut in the Salon in 1853 with the Saltworkers of Guerande (Nantes, Mus. B.-A.), he soon concentrated on history painting. In 1856 he won the Prix de Rome with the Return of the Young Tobias (Paris, Ecole N. Sup. B.-A.) and left Paris to study at the Academie de France in Rome. His work is imbued with a deep religious sentiment cast in the restrained, controlled style and formal repertoire of Neo-classicism. From early in his career he produced many easel and wall paintings on religious subjects, such as Jesus Healing the Lepers (1850; Le Croisic,). In 1854 he received a commission to produce four fresco decorations for the church of the monastery of the Visitation-Ste-Marie in Nantes, which he completed the following year. In 1865 he returned to the monastery to decorate the chapel of St-Francois de Sales with scenes from that saint's life.



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